CITY OF ANGELS CAST OF CHARACTERS
With the exception of Stine and Stone, all actors play at least two characters: a figure in Stine’s life as
he attempts to write a screenplay in Hollywood, and a fictional character who is a part of Stine’s movie story.
The names of the movie characters are in italics. We will be adding the vocal ranges very soon.
Stine: male, baritone 30-45 lead |
A successful novelist who has been given the chance to turn one of his works into a screenplay. Talented and insecure, Stine feels most at ease when he is in control of the lives of his characters. He spends the play battling the powerful Hollywood elite, trying to stay true to his ideals and his loyal wife, and jealous of the fictional hero he himself has created. Must sing well. |
Stone: male, baritone 30-45 lead |
The hero of Stine’s novel and the film, an ex-cop turned private eye. He is tough and irresistible to women, but he only has room in his heart for the woman he has lost. Strong singing part and should be able to move well. |
Buddy Fidler/ Buddy: male, baritone 30-60 supporting |
is a movie producer/director in charge of Stine’s screenplay. |
Irwin S. Irving: male, baritone 30-60 supporting |
He becomes Stine’s nemesis as he chips away at the integrity of Stine’s original story. As revenge, Stine creates the character of Irwin S. Irving, a movie mogul in the screenplay who is just as odious as his real-life counterpart. Strong comic acting role, with a very clever patter song. |
Gabby/Bobbi: female, mezzo 28-38 |
Gabby is Stine’s wife, the love of his life . . . if only he could remain faithful to her. She is beautiful and wise and suffers no illusions about her talented husband. Bobbi is the lost love of Stone’s life, a nightclub torch singer with a troubled past and present. Strong acting, singing role. |
Donna/Oolie: female, alto 28-45 |
Donna is Buddy Fidler’s secretary, a wise-cracking Eve Arden type Girl Friday who takes a shine to Stine. Oolie is Stone’s perfect secretary who cares enough about her boss not to fall in love with him. Strong comic, singing role. |
Carla Haywood/ female, mezzo 28-45
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Carla is Buddy’s wife, a beautiful and successful actress. Theirs is a Alaura Kingsley: marriage of mutual convenience. Alaura, the role that Carla plays in the film, is Stone’s latest client, the wife of a millionaire in search of her missing stepdaughter. Alaura is the femme fatale of the story, as alluring as her name and twice as dangerous. Must act, sing, and move well. |
Avril Raines/Avril female, alto 18-25 |
is a lovely young starlet who will do anything to get a Mallory Kingsley: part. Mallory, the character Avril plays in the film, is Alaura’s troubled – and highly sensual - stepdaughter with many secrets. Must sing and move incredibly well. Has a show- stopping solo.
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Jimmy Powers: male, tenor 21-45 |
Jimmy is a popular young crooner whose presence turns up both in “real” Hollywood and as an underscore to Stone’s adventures in the film. He is good –looking and popular and hopes to make his debut imminently as a movie star. Should have that kind of young Sinatra quality of a crooner. |
Pancho Vargas/ male, baritone 30-45 |
Pancho is a jovial actor in Hollywood. Lt. Manny Munoz is the Lt. Munoz: character he plays in the film. Formerly Stone’s partner when they were both starting out as cops, their partnership – and friendship – ended over a woman. Now all he wants is to put his old friend behind bars forever. Has one major number. |
| Big Six/ Studio Cop: | Big Six is Sonny’s partner in crime. Sonny is the brains of the duo, and Big Six is the muscle. Doubles as a Studio Cop and Party Guest. |
| Gerald Pierce/Peter Kingsley: | Gerald is a Hollywood actor who appears in Stine’s film as Peter, Alaura’s stepson and Mallory’s brother. He is good looking and callow and appears to be under Alaura’s thrall.
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| Werner Krieger/ Luther Kingsley: | Werner is a Hollywood actor who appears in Stine’s film as Luther, a millionaire and Alaura’s husband, who spends his life in an iron lung. |
| The Angel City 4: | An accomplished jazz quartet, something like the Manhattan Transfer. They sing back-up to Jimmy Powers and also act as guides through Stone’s world. In one number, they appear as various L.A. lowlifes Stone encounters in his search for Mallory. They must sing incredibly difficult jazz harmonies. |
| Ensemble: | Four men and four women who play thirty six different characters, both Hollywood assistants and fictional roles in Stine’s movie. A great assortment of character types, who sing and dance. |